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Sunday, January 30, 2011

Fawlty Towers: The Complete Collection available at Amazon.com for only $21.99

Very good price - worth over $30.00

Ships by Amazon.com with a limit of 3 per customer

Eligible for free shipping with Prime Membership

Friday, January 28, 2011

Dragon Ball Z: Season Five

Good price - sell for $20 - $24 on Ebay

Ships and sold by Amazon.com

Season 4 is also or sale at this price

Dragon Ball Z: Season Four DVD at Amazon.com for only $15.49

Good price -- worth around $20 -$24 based upon Ebay sales

Ships and sold by Amazon.com

Sunday, January 23, 2011

Underworld Trilogy Blu-Ray at Amazon.com for only $26.99

Great deal from Amazon.com - only $26.99

Underworld Trilogy (Underworld / Underworld: Evolution / Underworld: Rise of the Lycans) Blu-ray

Editorial Reviews

Amazon.com

Underworld
Blade meets The Crow and The Matrix in Underworld, a hybrid thriller that rewrites the rulebook on werewolves and vampires. It's a "cuisinart" movie (blend a lot of familiar ideas and hope something interesting happens) in which immortal vampire "death dealers" wage an ancient war against "Lycans" (werewolves), who've got centuries of revenge--and some rather ambitious genetic experiments--on their lycanthropic agenda. Given his preoccupation with gloomy architecture (mostly filmed in Budapest, Hungary), frenetic mayhem and gothic costuming, it's no surprise that first-time director Len Wiseman gained experience in TV commercials and the art departments of Godzilla, Men in Black, and Independence Day. His work is all surface, no substance, filled with derivative, grand-scale action as conflicted vampire Selene (Kate Beckinsale, who later became engaged to Wiseman) struggles to rescue an ill-fated human (Scott Speedman) from Lycan transformation. It's great looking all the way, and a guaranteed treat for horror buffs, who will eagerly dissect its many strengths and weaknesses. --Jeff Shannon

Underworld: Evolution
Better action, a bit of sex, and gorier R-rated violence make Underworld: Evolution a reasonably satisfying sequel to 2003's surprise hit Underworld. Looking stunning as ever in her black leather battle gear, Kate Beckinsale is every goth guy's fantasy as Selene, the vampire "death dealer" who's now fighting to stop the release of the original "Lycan" werewolf, William (Brian Steele) from the prison that's held him for centuries. As we learn from the film's action-packed prologue, William and his brother Marcus (Tony Curran) began the bloodline of vampires and werewolves, and after witnessing centuries of warfare between them, their immortal father Corvinus (Derek Jacobi) now seeks Selene and the human vampire/lycan hybrid Michael (Scott Speedman) to put an end to the war perpetuated by Victor (Bill Nighy), the vampire warrior whose betrayal of Selene turns Underworld: Evolution into an epic tale of familial revenge. This ambitious attempt at Shakespearean horror is compromised by a script (by Danny McBride and returning director Len Wiseman, Beckinsale's real-life husband) that's more confusing than it needs to be, with too many characters and not enough storytelling detail to flesh them all out. Aspiring to greatness and falling well short of that goal, Underworld: Evolution succeeds instead as a full-throttle action/horror thriller, with enough swordplay, gunplay, and CGI monsters to justify the continuation of the Underworld franchise. If you're an established fan, this is a must-see movie; if not, well... at least it's better than Van Helsing! --Jeff Shannon

Underworld: Rise of the Lycans
This prequel to Len Wiseman’s Underworld and Underworld: Evolution is distinctively different, especially minus the nimble vampire warrior star, Selene (Kate Beckinsale). Underworld: Rise of the Lycans takes its cues from the vampire/werewolf battles that occur in the other films, but director Patrick Tatopoulos focuses here on the young werewolf Lucian's (Michael Sheen) rise to leadership. Rise of the Lycans is set mostly within the walls of vampire lord Viktor’s (Bill Nighy) castle, so the film’s silver, black, and blue palette reflects a world happening under moonlight. From the outset, when Viktor brings Lucian, the first werewolf, into the world, this villainous bloodsucker’s daughter, Sonja (Rhona Mitra), is smitten with Lucian’s hairy appearance and instinctual intelligence. As years pass, Lucian grows tired of watching his race suffer slavery and imprisonment, and recruits a human named Raze (Kevin Grevioux) to assist rebellion. This archetypal plot is not so riveting, and what carries Underworld: Rise of the Lycans are the battle scenes between vampires and werewolves, which are excitingly fast-paced and brutal. The whole film adopts a medieval battlefield aesthetic that carries an otherwise clichéd story about illicit love and freedom fighting. Some characters, like the traitor vampire Tannis (Steven Mackintosh), also intrigues throughout, as one guesses who he will ally with. Underworld: Rise of the Lycans may not be the finest film in the werewolf and vampire archives independently, but its mixed monstrosity makes it unique and entertaining, especially on a big screen. --Trinie Dalton

Friday, January 21, 2011

The Bank Job [Blu-ray] + Digital Copy (2008) for only $5.49 at Amazon.com

Amazon.com

A cheerful, energetic, and completely entertaining movie, The Bank Job follows some small-time hoods who think they've lucked into a big-time opportunity when they learn a bank's security system will be temporarily suspended--little suspecting that they're being manipulated by government agents for their own ends. The result is that the movie doubles its pleasures: While the robbery itself has the usual suspense of a heist film, when the robbery is over the hoods find themselves being hunted by the police, the government, and brutal criminal kingpins who were storing dangerous information in a safety deposit box. The Bank Job won't win any awards, but it's enormously fun. Director Roger Donaldson (No Way Out, Species) propels the action along with vigor, editing zippily with perfect clarity among multiple storylines and various colorful characters. Jason Statham (Snatch, The Transporter), as the leader of the bank robbers, successfully steps away from his usual bone-crunching roles to a more human presence. The rest of the cast--including Saffron Burrows (Deep Blue Sea), Keeley Hawes (Tipping the Velvet), David Suchet (Poirot), and many faces familiar from British film and television--give their characters the right degree of personality and flavor without getting fussy or detracting from the headlong rush of the story. A little sex, a lot of action, a sly sense of humor, and a twisty plot; if more movies had these basic pleasures, the world would be a happier place. --Bret Fetzer

Monday, January 10, 2011